DGES - Registo inicial: R/A-Ef 1160/2011
Registo de alteração do plano de estudos: R/A-Ef 1160/2011/AL01, conforme consta no Aviso n.º 10005/2019 - publicado no DR a n.º 111/2019, Série II, pp. 17581 - 17583
• 1st phase: february 2 to april 9
International students till April 24th
• 2nd phase: april 30 to june 11
• 3rd phase june 1 to august 26
Sound Design focuses on mastering the theoretical, technical and creative processes of sound production for various purposes, such as: Cinema (soundtrack development and surround mixing), Theater and Concerts (live sound recording and control), music production (microphonics, recording and mastering in studio), artistic installations (sound art), audio for computer games, among other projects.
The students' work is oriented towards project development, involving in all cases different artistic techniques and practices: the study of sound, microphonics, recording, synthesis, processing, mixing and reproduction of sound, using both analogue and digital.
Acquisition and Development of Competencies
Sound Production, in Studio and Outdoors
Electronic Production and Sonic Art
Soundtrack Production for Film and Video Games
Sound Interface Development
Development of Professional/Artistic Portfolio in:
Practical Sound Design Project
Internship in national and international sound producers
Research and development of Dissertation in Sound Design
Born in Porto. Graduated in Som e Imagem (specialization in Sound) at Universidade Católica do Porto. He is a recording/mixing engineer, has worked on dozens of albums by artists such as: Cícero, Meta, Conferência Inferno, Glockenwise, Sandy Kilpatrick, Samba Sem Fronteiras, The Weatherman, Souls of Fire, Bezegol, Beth Hirsch, April Ivy, Mundo Cão, Via, Throes + The Shine, Nuno Melo, among many others. As a musician (performer and/or author) he collaborates in several projects such as Glockenwise, S. Pedro, Throes + The Shine, Duquesa, For the Glory, The Last Internationale, Bié, among others, having participated in hundreds of concerts both in national and international territory.
In recent years he has also composed for theater, being responsible for musical direction and sound design.
With a degree in Theater - Sound from ESMAE and a Master's degree in Sound Design from UCP, Bernardo Bento has worked with sound for various artistic media, focusing mainly on theater and cinema. Since 2022, he has been teaching various courses at UCP.
Manuel Oliveira
A sound designer and researcher with a Master's in Sound Design and a Bachelor's in Digital Game Design. He has experience in music composition, sound design, and sound direction. Currently pursuing a PhD at the Portuguese Catholic University, his research focuses on new media such as augmented and virtual reality and their application in cultural heritage, with recognized publications and awards.
Pedro Marques graduated in Sound and Image from the School of Arts and Film Scoring at the University of California. He is a composer of music for soundtracks, awarded by the Portuguese film academy for Best Soundtrack with the movie "Capitão Falcão". Currently, he is composing the soundtrack for the Netflix series "Rabo de Peixe”. Pedro is also the creator of the STAR Channel Logo audio.
Since 2003, Rui Lima has been participating as a composer, sound designer, and performer in cinema, theatre, contemporary dance, performing arts, video-dance, music and advertising shows, in productions by Cristina Carvalhal, Rui Horta, Joana Providência, Alfredo Martins, João Garcia Miguel, Rita Barbosa, Jorge Quintela, Ana Luena, Jorge Andrade , Victor Hugo Pontes, Nuno Cardoso, Marco da Silva Ferreira, among others, having presented shows in Portugal, Spain, Macedonia, Finland, China, France and Russia.
• Continuous and preferential access to equipment such as: Motion Capture Laboratory, Surround Sound Mixing Studio, Interactive Art and Digital Fabrication Laboratory, Film/TV Studio with Chroma-Keying;
• Integration into EA's creative community, transversal to its courses; Possibility of collaboration and integration in CITAR Research Projects
• Possibility of collaboration and integration in knowledge transfer projects and artistic production, at CCD
• Faculty that includes recognized professionals and artists in the global market, as well as experienced university advisors
b. Facilties and Equipment
• 24/7 access to all studios and facilities
• Individual video editing studios
• Audio Capture and Mix Studios with Stereo and Surround Sound
• Motion Capture Lab
• Digital Fabrication Lab (3D printers, CNC, electronics)
• Film/TV Studio with Chroma-Keying
• Large Cinema Auditorium (400px) equipped with Surround Sound and 2K Digital Projection System
c. Professional Outlets
Upon completion of the course, students will be able to build a career:
• Artistic – development of own works as an author in the areas of Animation Film, Audio Production (Cinema, Radio, Concert, Installation), New Media (interactive installation, brand activation, Augmented and Virtual Reality content).
• Scientific – They can join CITAR or CCD research teams, develop R&D work that will define the future of the area. Progress to PhD.
• Professional - Create or intern and join companies in your area of expertise. In this sense, the aforementioned internship agreements are highlighted.
d. Schedule a Visit
send an email to artes@ucp.pt to schedule or call +351 935 370 331
e. Scholarships and Social Support
Financial support applications are individually analyzed, according to the applicants' specific situation.
The internship is considered as part of the academic course, integrated in the training plan in the 2nd year of the study cycle (Training Curricular Unit - 60 ECTS). It is seen as structuring the professional attitude of a student of the Sound and Image course towards his future work activity. It must be structuring not only in view of the versatility of the basic and interdisciplinary subjects of the course, but also as a strong link between the University and the job market. The Curricular Internship is developed in the Hosting Entities according to each student's area of specialization, and lasts for a minimum of 24 weeks. An Internship Agreement is signed between the Hosting Entities and the Catholic University, which commits the two institutions involved in the duration of the internship, the student and the professor who accompanies him in this Curricular Unit.
Computor Animation
• Sardinha em Lata
• Solid Média
• Pix Mix
• Bando à Parte
• Cimbalino
• Farol de Ideias
• Filbox
• Filmes do Tejo
• Fronteira Filmes
• Garage Films
• Guerrilha Filmes
• Lightbox
• O Som e a Fúria
• Utopia Filmes
• Vende-se Filmes
New Media Art
• Be-Active
• Designarte
• Easy-Art
• Gema Interative
• Landka
• Menina Design
Sound Design
• ElitPalco
• Worten Digitópia Casa da Música
• Indigo Música
• Loudness Studios
• Lourisom
• SomNorte
• Soundtrapp
• Warehouse Studios (República Checa)
• Ad-hoc Studios (Espanha
DGES - Registo inicial: R/A-Ef 1160/2011
Registo de alteração do plano de estudos: R/A-Ef 1160/2011/AL01, conforme consta no Aviso n.º 10005/2019 - publicado no DR a n.º 111/2019, Série II, pp. 17581 - 17583
DGES - Registo inicial: R/A-Ef 1160/2011
Registo de alteração do plano de estudos: R/A-Ef 1160/2011/AL01, conforme consta no Aviso n.º 10005/2019 - publicado no DR a n.º 111/2019, Série II, pp. 17581 - 17583