PROGRAM
06 NOV 2023, 18h30 | AUDITÓRIO ILÍDIO PINHO
Whirlpool
by Otto Preminger
United States, 1950, 98'
Ann Sutton suffers from kleptomania. After being caught stealing, a cunning charlatan hypnotist manipulates her, entangling her in his web of interests. In this masterpiece of noir, Otto Preminger highlights Gene Tierney's masterful interpretation, exploring his character's complex duality and psychological struggle. Tierney's body expression, combined with precise camera movements, creates a captivating trance-like atmosphere.
14 NOV 2023, 18h30 | AUDITÓRIO ILÍDIO PINHO
M
by Joseph Losey
United States, 1951, 88'
Remake of the classic 1931 film directed by Fritz Lang, Joseph Losey re-contextualizes the anguish of German Expressionism within the North American scenario in evidence of moral hypocrisy and the disruption of institutions. A product of his own environment, the persecuted character exposes the great social contamination in this bitter thriller.
28 NOV 2023, 18h30 | AUDITÓRIO ILÍDIO PINHO
Pursued
by Raoul Walsh
United States, 1947, 101'
A boy, who lives haunted by nightmares about the night his entire family was murdered, is raised by a neighboring family in the 1880s. With a melancholic and displaced appearance, his only connection with the world around him is the love he feels about his adopted sister. Years later, the past returns to torment him with the threat of an unknown relative who wants his death.
12 DEC 2023, 18h30 | AUDITÓRIO ILÍDIO PINHO
Beyond a Reasonable Doubt
by Fritz Lang
United States, 1956, 80'
Austin Spencer, owner of an important newspaper, opposes the death penalty, having as his main opponent a public prosecutor who, in Spencer's opinion, obtains political dividends at the expense of the men he sentences to death. Spencer convinces his future son-in-law, a rising writer, to allow himself to be framed in a murder case, planting false evidence that would lead to his arrest, trial and conviction; At the right time, the farce would be revealed, proving Spencer's thesis that a trial based only on circumstantial evidence can lead to the execution of an innocent person.
06 NOV 2023 - 12 DEZ 2023, 18:30 | AUDITÓRIO ILÍDIO PINHO
Film Program Quadra de Ases
A film program that seeks to illustrate the main ideas of Macmahonism, an alternative vision to the auteur theory made famous by the film critics of Cahiers du Cinéma magazine. A proposal by Gabriel Luna, Master's student in Cinema at Escola das Artes.
PROGRAM
06 NOV 2023, 18h30 | AUDITÓRIO ILÍDIO PINHO
Whirlpool
by Otto Preminger
United States, 1950, 98'
Ann Sutton suffers from kleptomania. After being caught stealing, a cunning charlatan hypnotist manipulates her, entangling her in his web of interests. In this masterpiece of noir, Otto Preminger highlights Gene Tierney's masterful interpretation, exploring his character's complex duality and psychological struggle. Tierney's body expression, combined with precise camera movements, creates a captivating trance-like atmosphere.
14 NOV 2023, 18h30 | AUDITÓRIO ILÍDIO PINHO
M
by Joseph Losey
United States, 1951, 88'
Remake of the classic 1931 film directed by Fritz Lang, Joseph Losey re-contextualizes the anguish of German Expressionism within the North American scenario in evidence of moral hypocrisy and the disruption of institutions. A product of his own environment, the persecuted character exposes the great social contamination in this bitter thriller.
28 NOV 2023, 18h30 | AUDITÓRIO ILÍDIO PINHO
Pursued
by Raoul Walsh
United States, 1947, 101'
A boy, who lives haunted by nightmares about the night his entire family was murdered, is raised by a neighboring family in the 1880s. With a melancholic and displaced appearance, his only connection with the world around him is the love he feels about his adopted sister. Years later, the past returns to torment him with the threat of an unknown relative who wants his death.
12 DEC 2023, 18h30 | AUDITÓRIO ILÍDIO PINHO
Beyond a Reasonable Doubt
by Fritz Lang
United States, 1956, 80'
Austin Spencer, owner of an important newspaper, opposes the death penalty, having as his main opponent a public prosecutor who, in Spencer's opinion, obtains political dividends at the expense of the men he sentences to death. Spencer convinces his future son-in-law, a rising writer, to allow himself to be framed in a murder case, planting false evidence that would lead to his arrest, trial and conviction; At the right time, the farce would be revealed, proving Spencer's thesis that a trial based only on circumstantial evidence can lead to the execution of an innocent person.
