PROGRAMA
09 APR 2024, 18h30 | ILÍDIO PINHO AUDITORIUM
Ratcatcher
by Lynne Ramsey
United Kingdom, 1999, 94'
Among the rubbish and rats of a Glasgow neighborhood, during the first half of the 70s, a 12-year-old child wanders between guilt and dreams, in the desire to escape the cruelty of growing up in chaos and poverty.
23 APR 2024, 18h30 | ILÍDIO PINHO AUDITORIUM
O Espelho Mágico
by Manoel de Oliveira
Portugal, 2005, 137'
In an aristocratic mansion, Alfreda carries the fixed idea of seeing herself facing the sanctity of the Virgin Mary. In the recesses of the Christian faith she seeks contact with the saints and imagines biblical families as belonging to her aristocracy.
30 APR 2024, 18h30 | ILÍDIO PINHO AUDITORIUM
Mon Oncle
by Jacques Tati
France, 1958, 118'
These are modern times, but not for everyone. Monsieur Hulot, who lives in a small apartment at the top of a building, visits the technological and modern world of his sister's house, for which he sees no use for and cannot fit into.
09 APR 2024 - 30 APR 2024, 18:30 | ILÍDIO PINHO AUDITORIUM
Film Program Cinema e Arquitetura - Luz, Espelho e Percurso
A film program of three films selected by the cinema student Sofia Tavares, that aims to dialogue with the way cinema films the arquitecture of spaces.
PROGRAMA
09 APR 2024, 18h30 | ILÍDIO PINHO AUDITORIUM
Ratcatcher
by Lynne Ramsey
United Kingdom, 1999, 94'
Among the rubbish and rats of a Glasgow neighborhood, during the first half of the 70s, a 12-year-old child wanders between guilt and dreams, in the desire to escape the cruelty of growing up in chaos and poverty.
23 APR 2024, 18h30 | ILÍDIO PINHO AUDITORIUM
O Espelho Mágico
by Manoel de Oliveira
Portugal, 2005, 137'
In an aristocratic mansion, Alfreda carries the fixed idea of seeing herself facing the sanctity of the Virgin Mary. In the recesses of the Christian faith she seeks contact with the saints and imagines biblical families as belonging to her aristocracy.
30 APR 2024, 18h30 | ILÍDIO PINHO AUDITORIUM
Mon Oncle
by Jacques Tati
France, 1958, 118'
These are modern times, but not for everyone. Monsieur Hulot, who lives in a small apartment at the top of a building, visits the technological and modern world of his sister's house, for which he sees no use for and cannot fit into.
