equipa do Cineclube EA
2020/21
Benjamim Gomes
Diogo Pinto
Francisca Dores
João Pinto
Leonardo Polita
Luísa Alegre
Luiz Manso
Maria Miguel
Mariana Machado
Miguel Ribeiro
Miguel Mesquita
com o apoio de
Carlos Natálio
More Information
16th May at 18:30
Rio, 40 Graus
by Nelson Pereira dos Santos
Brasil, 1955, 100'
Considered one of the precursors of the Cinema Novo movement, Rio, 40 Graus presents the story of five characters living in Rio de Janeiro on one of the hottest days of the year.
The plot develops the difficulties each of them faces in surviving amidst the poverty, violence, and social inequality present in the city.
With a documentary and realistic approach, Rio, 40 Graus uses elements from Italian neorealism and American cinema to depict the everyday lives of the Cariocas in the 1950s.
Additionally, the film showcases aspects of Brazilian culture, such as music and dance, which help create a unique and vibrant atmosphere.
Upon its release, Rio, 40 Graus was well received by both the public and critics, cementing Nelson Pereira dos Santos’ career and inspiring a generation of Brazilian filmmakers to explore the social realities of the country in their works.
To this day, the film is considered a milestone in Brazilian cinema history and an example of how cinema can serve as a powerful reflection on society and its problems.
23rd May at 18:30
Pixote: A Lei do Mais Fraco
de Hector Babenco
Brasil, 1980, 128'
Pixote is inspired by the true story of abandoned children living on the streets of São Paulo.
The plot follows Pixote, an 11-year-old boy who escapes from a reform school and joins a group of children who survive through petty crimes, prostitution, and violence on the streets of the city.
The film portrays Pixote and his friends' struggle to survive amidst poverty, sexual exploitation, and police violence.
With a realistic and shocking approach, Pixote denounces the harsh reality faced by marginalized children in Brazil.
The film presents a strong and necessary social critique, highlighting the failure of the system meant to protect these children and the social inequality that pushes them toward criminality.
30th May at 18h30
Cidade de Deus
de Fernando Meirelles e Kátia Lund
Brasil, 2002, 130'
Cidade de Deus dives intensely and impactfully into the reality of Brazilian favelas, portraying the lives of characters who fight daily for survival amidst violence, poverty, and lack of opportunities.
Through a nonlinear narrative that spans over three decades, the film shows how violence and drug trafficking become increasingly present in the lives of young people growing up in Cidade de Deus.
The direction by Fernando Meirelles and Kátia Lund is notable for its use of visual and sound techniques that enhance the intensity and impact of the story.
Furthermore, the film presents a wealth of detail in its setting and costumes, creating an authentic portrayal of life in the favelas.
Cidade de Deus also offers a strong and necessary social critique, showing how social inequality and the lack of adequate public policies contribute to the perpetuation of violence and social exclusion.
At the same time, the film does not limit itself to a fatalistic portrait of the favelas, presenting characters who fight for a better life, even if it means challenging the rules imposed by organized crime.
16th May - 30 May 18:30
Cicle Comunity
Auditório IIídio Pinho
Entering Communities
The film cycle Comunidade presents a selection of Brazilian films that portray life in urban communities (also known as favelas), addressing issues such as violence, social marginalization, survival, child exploitation, and police violence, providing a snapshot of the reality in these communities.
Together, the three films offer a powerful portrayal of Brazilian urban communities, showing the hardships faced by people living in the peripheries. They highlight how poverty and lack of opportunities can lead to violence and crime, and how public policies are crucial for social inclusion and reducing inequality.
By watching these films, the audience is invited to reflect on the reality of urban communities and search for solutions to build a more just and equal society.
These films provide a critical view of life in the peripheries, denouncing social marginalization, violence, and community exclusion, while also showing how the lack of opportunities leads to criminality.
The motivation behind bringing these films together in a film cycle is to offer the audience a multifaceted experience of the reality of Brazilian urban communities. Each film provides a unique perspective, but all of them converge on the same message: the importance of understanding and acting on social issues within these communities.
The Comunidade film cycle invites viewers to reflect on the complexity of these environments and to understand the causes of marginalization. By exploring different eras and viewpoints, the cycle offers a comprehensive view of the challenges faced by urban communities, encouraging discussion and raising awareness about the importance of public policies and social engagement for building more equitable communities.
Luiz Manso (Master's Student in Cinema)
More Information
16th May at 18:30
Rio, 40 Graus
by Nelson Pereira dos Santos
Brasil, 1955, 100'
Considered one of the precursors of the Cinema Novo movement, Rio, 40 Graus presents the story of five characters living in Rio de Janeiro on one of the hottest days of the year.
The plot develops the difficulties each of them faces in surviving amidst the poverty, violence, and social inequality present in the city.
With a documentary and realistic approach, Rio, 40 Graus uses elements from Italian neorealism and American cinema to depict the everyday lives of the Cariocas in the 1950s.
Additionally, the film showcases aspects of Brazilian culture, such as music and dance, which help create a unique and vibrant atmosphere.
Upon its release, Rio, 40 Graus was well received by both the public and critics, cementing Nelson Pereira dos Santos’ career and inspiring a generation of Brazilian filmmakers to explore the social realities of the country in their works.
To this day, the film is considered a milestone in Brazilian cinema history and an example of how cinema can serve as a powerful reflection on society and its problems.
23rd May at 18:30
Pixote: A Lei do Mais Fraco
de Hector Babenco
Brasil, 1980, 128'
Pixote is inspired by the true story of abandoned children living on the streets of São Paulo.
The plot follows Pixote, an 11-year-old boy who escapes from a reform school and joins a group of children who survive through petty crimes, prostitution, and violence on the streets of the city.
The film portrays Pixote and his friends' struggle to survive amidst poverty, sexual exploitation, and police violence.
With a realistic and shocking approach, Pixote denounces the harsh reality faced by marginalized children in Brazil.
The film presents a strong and necessary social critique, highlighting the failure of the system meant to protect these children and the social inequality that pushes them toward criminality.
30th May at 18h30
Cidade de Deus
de Fernando Meirelles e Kátia Lund
Brasil, 2002, 130'
Cidade de Deus dives intensely and impactfully into the reality of Brazilian favelas, portraying the lives of characters who fight daily for survival amidst violence, poverty, and lack of opportunities.
Through a nonlinear narrative that spans over three decades, the film shows how violence and drug trafficking become increasingly present in the lives of young people growing up in Cidade de Deus.
The direction by Fernando Meirelles and Kátia Lund is notable for its use of visual and sound techniques that enhance the intensity and impact of the story.
Furthermore, the film presents a wealth of detail in its setting and costumes, creating an authentic portrayal of life in the favelas.
Cidade de Deus also offers a strong and necessary social critique, showing how social inequality and the lack of adequate public policies contribute to the perpetuation of violence and social exclusion.
At the same time, the film does not limit itself to a fatalistic portrait of the favelas, presenting characters who fight for a better life, even if it means challenging the rules imposed by organized crime.
