Objectives

1. General overview of musical creation from the second half of the 20th century onwars
2. New musical forms: random and open forms/their relationships with interactive forms, mixed and electronic music
3. The aesthetic potential of digital tools, their influence on creative thinking and realization in the work of art
4. State of the art on digital and computer-based music creation
5. Study of the main works, creators and aesthetic currents of interactive music