Formação Especializada em Pós-produção para Cinema

Specialised Course in Film Post-Production

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​A. About

The School of Arts' Specialised Course in Film Post-Production aims to prepare future film and audiovisual professionals for innovative, cutting-edge work in the various areas of post-production: editing, sound design, visual effects and colour grading, as well as in the industry's most striking contemporary trends, such as Generative A.I. .

The development of post-production knowledge and skills will be based not only on technical excellence but also on critical and expansive thinking in the various areas, with the central aim of preparing participants for in-depth creative collaboration with the film's authors.
The course will be taught by lecturers from the School of Arts and by national and international guest tutors with recognised experience and reference work in the different areas related to Post-Production. 
These include Claire Atherton, editor to historic director Chantal Akerman, and Mark Mangini, sound designer, winner of 2 Hollywood Academy Awards, for films such as Dune, Mad Max Fury Road or Blade Runner 2049.

B. Informations

  • 150h of contact time
  • Post-labour on Fridays and Saturdays
  • April to September (break in August)
  • Advanced Training Certificate (30 ECTS), when evaluated positively on the assessement. Completion of the full course without assessment only confers a Declaration of Attendance.

C. Guest lecturers / Masterclasses 

Coordinator: Mariana Gaivão

Claire Atherton

Claire Atherton (IMDB)

  • Film editor with over 40 years' experience; 
  • She has worked with directors and artists such as Chantal Akerman, Éric Baudelaire and Wang Bing;
  • 2019 winner of the Vision Award at the Locarno International Film Festival for her work as a whole.
Mark Mangini

Mark Mangini (IMDB)

                              

 

  • Sound designer with a 45-year career in Hollywood;
  • Winner of 2 Academy Awards® (Dune & Mad Max Fury Road);
  • 6 Oscar® nominations for films such as Blade Runner 2049, Star Trek I, IV and V, The Fifth Element and Gremlins.

 

Mariana Gaivão photo

Mariana Gaivão (IMDB)

 

  • Film editor of films screened and awarded prizes at the Cannes, Berlin, Venice and Locarno film festivals, among others;
  • Director of works screened and awarded at national and international festivals (Rotterdam, Palm Springs, Montreal, Vila do Conde);
  • Film programmer and course coordinator.

 

Paulo Américo

Paulo Américo(IMDb)

  • One of the most renowned film colourists in Portugal;
  • More than 15 years' experience in colour grading, participating in almost a hundred films.
Alexander Gerner

Alexander Gerner

  • Expert in Generative A.I. aesthetics, including its applications to art and the media;
  • Researcher in interdisciplinary projects crossing philosophy, technology, aesthetics and ethics.

 

Ricardo Ferreira

Ricardo Ferreira(IMDb)

  • Digital Compositor and Compositor Supervisor with over 15 years' experience in Visual Effects;
  • He was part of the VFX team that won the Oscar® for Best Visual Effects with Interstellar (2015) and Ex-Machina (2016);
  • He has collaborated on many film and advertising projects for companies such as Industrial Light Magic, DesignStudio, Cinesite Prime Focus, MPC, DoubleNegative, Trixter and Polarmedia.

 

Vasco Carvalho

Vasco Carvalho(IMDb)

 

  • Sound designer with over 20 years' experience in cinema;
  • Participation in the sound design and/or mixing of more than 60 films, many of them screened and awarded at national and international festivals.

 

C. Syllabus

Module 1: Introduction to Film Post-Production

From an understanding of the post-production process and its importance in filmmaking, the roles and responsibilities of a production team will be covered, also developing an overview of the post-production stages: film editing, sound design, visual effects, colour correction and grading, among others. There will also be an introduction to industry-standard post-production software and tools.
 

Module 2: Non-linear film editing

Starting from the fundamentals of film editing (time, dramaturgy, narrative), this module works on the method and hierarchy of work in the editing room through practical exercises and projects based on in-depth training in industry-standard editing software (Adobe Premiere Pro and DaVinci Resolve Studio).
 

Module 3: Sound Design and Audio Post-Production

This module covers the basics of sound theory and its role in filmmaking, supporting sound editing, Foley, ADR (Automatic Dialogue Replacement) and sound mixing processes. Pro Tools software will be used in audio post-production and in practical projects involving sound design for different genres.
 

Module 4: Visual Effects and CGI Integration

Based on an understanding of visual effects (VFX) and computer-generated images (CGI), combined with composition techniques and green screen technology, practical work is proposed involving the enhancement of visual effects and the incorporation of VFX harmoniously into images using software such as Adobe After Effects, Nuke or Maya.
 

Module 5: Color Grading and Color Correction

This module explores the importance of colour in narrative, colour theory and its application in cinema. Colour correction and colour grading techniques will be covered using software such as DaVinci Resolve.
 

Module 6: Workflow Management and Collaboration

Understand different ways of collaborating with directors, sound designers and visual effects artists, learn how to efficiently manage the film editing workflow, with version control and the adoption of file organisation best practices. You'll simulate real-world production scenarios through group projects and be introduced to cloud-based collaboration tools.
 

Module 7: Industry Trends and Emerging Technologies

In this final module, the latest industry trends in the field of film post-production - virtual reality (VR), augmented reality (AR) and Generative A.I. applications - are addressed, distributed over the various steps of the Post-Production chain.

 

E. Complete information


Coordinator: Pedro Alves 
To clarify any questions: pmalves@ucp.pt

Student Care - agendar visita - esclarecer dúvidas:  jssilva@ucp.pt

F. Fees and tuition

Fees
Application: 50€
Course enrolment ( one-time only): 300€
Tuition
Monthly tuition: 576€/month
Total (fees and tuition): 3.180,00€

G. Applications

Submit your application by March 24 .  APPLY

 

 

 

 

 

 

Contacts

Contactos Cursos

Academic Services
sa.porto@ucp.pt


Student Care
jssilva@ucp.pt
+351 935 370 331


Administrative Services
Mónica Monteiro
artes@ucp.pt
+351 226 196 267


Admission Support
candidaturas.porto@ucp.pt
+351 939 450 000