Equipa do Cineclube EA 2024/25
Diana Monteiro
Diogo Pinto
Gabriel Luna
Inês Leal
João Pinto
José Antunes
Luísa Alegre
Mariana Machado
Sofia Tavares
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PROGRAM
17 SEP 2024, 18h30 | AUDITÓRIO ILÍDIO PINHO
An Autumn Afternoon
by Yasujiro Ozu
Japan, 1962, 113'
In Ozu's last film, the director creates another family drama. Hirayama (Chishû Ryû) decides to find a husband for his daughter even though he knows he will have to deal with the loneliness of her absence.
24 SEP 2024, 18h30 | AUDITÓRIO ILÍDIO PINHO
Quatre Nuits d'un Rêveur
by Robert Bresson
France, 1971, 87'
Jacques, a painter wandering around at night, meets Marthe who was preparing to commit suicide on the Pont Neuf. She is heartbroken, abandoned by her lover, and he is becoming more and more interested in her. They meet the following nights to share their pain and dreams.
01 OCT 2024, 18h30 | AUDITÓRIO ILÍDIO PINHO
Walker
by Tsai Ming-Liang
Hong Kong, 2012, 27'
This is the first film in a project that includes two other films (No Form and Diamond Sutra) and several public performances. A monk dressed in red, walks through various locations at an ultra-slow pace, disconnecting himself from the intensity of the outside world.
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No No Sleep
by Tsai Ming-Liang
Hong Kong, France, 2015, 34'
At night in the sleepless city of Tokyo, the routine of a Buddhist monk involves frequenting the bathhouse of a capsule hotel where he meets another man, a man who is part of this city.
08 OCT 2024, 18h30 | AUDITÓRIO ILÍDIO PINHO
Songs From the Second Floor
by Roy Andersson
Sweden, Norway, Denmark, France, Germany, 2000, 98'
In a chaotic city, a series of illogical events unfold. Karl, who burns down his business to keep the insurance money, is confronted with the existential absurdity of being human at the dawn of the new millennium.
17 SEP 2024 - 08 OCT 2024, 18:30 | AUDITÓRIO ILÍDIO PINHO
Film program Devagar se vai ao Longe
A program composed of five films curated by Diana Monteiro, undergraduate student of Cinema. This program tries to explore contemplation and different temporalities in cinema.
More Information
PROGRAM
17 SEP 2024, 18h30 | AUDITÓRIO ILÍDIO PINHO
An Autumn Afternoon
by Yasujiro Ozu
Japan, 1962, 113'
In Ozu's last film, the director creates another family drama. Hirayama (Chishû Ryû) decides to find a husband for his daughter even though he knows he will have to deal with the loneliness of her absence.
24 SEP 2024, 18h30 | AUDITÓRIO ILÍDIO PINHO
Quatre Nuits d'un Rêveur
by Robert Bresson
France, 1971, 87'
Jacques, a painter wandering around at night, meets Marthe who was preparing to commit suicide on the Pont Neuf. She is heartbroken, abandoned by her lover, and he is becoming more and more interested in her. They meet the following nights to share their pain and dreams.
01 OCT 2024, 18h30 | AUDITÓRIO ILÍDIO PINHO
Walker
by Tsai Ming-Liang
Hong Kong, 2012, 27'
This is the first film in a project that includes two other films (No Form and Diamond Sutra) and several public performances. A monk dressed in red, walks through various locations at an ultra-slow pace, disconnecting himself from the intensity of the outside world.
+
No No Sleep
by Tsai Ming-Liang
Hong Kong, France, 2015, 34'
At night in the sleepless city of Tokyo, the routine of a Buddhist monk involves frequenting the bathhouse of a capsule hotel where he meets another man, a man who is part of this city.
08 OCT 2024, 18h30 | AUDITÓRIO ILÍDIO PINHO
Songs From the Second Floor
by Roy Andersson
Sweden, Norway, Denmark, France, Germany, 2000, 98'
In a chaotic city, a series of illogical events unfold. Karl, who burns down his business to keep the insurance money, is confronted with the existential absurdity of being human at the dawn of the new millennium.
