EA Dashed Concerts
Inês Malheiro + Inês Castanheira
14 NOV 2024 - 18:30 - AIP
Free admission

Between November 2024 and May 2025, School of Arts is promoting a new season of Dashed Concerts - short concerts in which invited artists and bands will present their work in a disruptive and intimate space for listening and sharing.

The Dashed Concerts are a platform designed to extend the school's pedagogical, investigative and artistic program into the fields of performance, exploratory music and sound art.

The programme, which has monthly iterations throughout the school year, is characterized by its permeability, intensity and spontaneity. Recordings of the concerts and performances will be available on School of Arts YouTube channel.

For the first concert of the year, School of Arts will host Inês Malheiro and Inês Castanheira on November 14, at 6:30 p.m., in the Ilídio Pinho Auditorium. Admission is free.

Inês Malheiro

Inês Malheiro creates sound narratives using the voice as raw material, whether improvised or premeditated - recycling, broken voices and dismembered songs.
In 2022, Inês released her debut album “Deusa Náusea” via Lovers and Lollypops and between 2018 and 2020 created “The endless chaos has an end”, a music series based on emotional and cheesy moments. In parallel to her solo work, Inês writes music for Sancha Castro's performances, with Nuno Loureiro wrote the soundtrack for Pedro Huet's shortfilm “Croma, o sono”, released “liquify, spread and float” (2022), an improvised live performance-album; created the sound design for “Práticas Laboriosas do Enxofre” (2022), an exhibition project created by Coletivo Corisca; released “Canal-Conduto” (2020) with Gonçalo Penas and presented “Organismus Kathársis” at Lisboa Soa.


Inês Castanheira

Inês Castanheira is a transdisciplinary artist and researcher. Her work is a continuous dialog between art and technology, exploring and combining image, sound, electronics, programming and interactivity. She develops projects in multiple domains and collaborative environments, in the form of video, installations, electronic objects, audiovisual performances, concerts and workshops. In recent years, he has investigated and experimented with DIY strategies, hardware hacking and the creative recycling of obsolete or discarded electronic devices.