Nuno da Luz
October - December 2018
Supported by InResidence, program promoted by the Porto Municipality
For his residency, Nuno da Luz researched the surrounding of the School of Arts. He was interested in investigating the maritime specificities of the Foz do Douro (where the Douro river comes to meet the ocean). After practicing a critical and attentive observation, he collected that sounds and data of the waves movement from the Instituto Hidrográfico. He later was able to recreate this environment in an immersive sound and light installation.
Currently the exhibition is still running in the School of Arts Gallery Room (until April 5th). More information here.
Nuno da Luz (Lisbon, 1984) lives and works in Berlin. Artist and publisher, his work circumscribes both aural and visual in the form of events, installations and printed matter; the latter mostly distributed through the publisher atlas Projectos (run together with artists André Romão and Gonçalo Sena) and the record label Palmario Recordings (run together with the artist Joana Escoval). He recently completed the Master Program of Experimentation in Art and Politics speap at Sciences Po, Paris, and founded coyote, a cross-cutting collective working on print, film, lectures and other experimental forms (together with artists Tristan Bera and Ana Vaz, journalist Elida Høeg and editor Clémence Seurat).
October 2017 - June 2018
For her residency in the SoA, Salomé Lamas focused on her project about Transnistria, an unrecognized state that broke away from the former Moldavian Soviet Socialist Republic of the Soviet Union in 1990. She worked on the post-production of would come to be Extinction, the film she released later that year.
The residency resulted in an exhibition that included several elements that performed in an art gallery setting. Stills from the film, recontextualized as sets of small photographies, a video projection, and documentation of her travel in the disputed territories.
Salomé Lamas (Lisbon) studied cinema in Lisbon and Prague, visual arts in Amsterdam and is a Ph.D candidate in contemporary art studies in Coimbra.
Her work has been screened both in art venues and film festivals such as Berlinale, BAFICI, Museo Arte Reina Sofia, FIAC, MNAC – Museu do Chiado, DocLisboa, Cinema du Réel, Visions du Réel, MoMA – Museum of Modern Art, Museo Guggenheim Bilbao, Harvard Film Archive, Museum of Moving Images NY, Jewish Museum NY, Fid Marseille, Arsenal Institut fur film und videokunst, Viennale, Culturgest, CCB - Centro Cultural de Belém, Hong Kong FF, Museu Serralves, Tate Modern, CPH: DOX, Centre d’Art Contemporain de Genève, Bozar , Tabakalera, ICA London, TBA 21 Foundation, Mostra de São Paulo, CAC Vilnius, MALBA, FAEMA, SESC São Paulo, MAAT, La Biennale di Venezia Architettura, among others.
Lamas was granted several fellowships such as The Gardner Film Study Center Fellowship – Harvard University, The Rockefeller Foundation – Bellagio Center, Fundação Calouste Gulbenkian, Fondación Botín, Sundance, Bogliasco Foundation, The MacDowell Colony, Yaddo, Berliner Künstlerprogramm des DAAD.
She continues to collaborate with the School of Arts and collaborates also with Elias Querejeta Zine Eskola. She collaborates with the production company O Som e a Fúria and is represented by Miguel Nabinho Gallery.