Previous Residents

Past residents

Jonathan Uliel Saldanha
January – April 2019

Sonic and scenic constructor, working within the interception of sound, gesture, voice, stage and film. Operating elements of pre-language, generative choirs, acoustic animism, echo, mimicry and intra-cranial-dub.  Studied Tabla, with Hindustani music ensemble Jugalbandi. Studied sculpture at Faculdade Belas Artes Porto. Founder of SOOPA collective (1999), and co-founder of SILORUMOR label, part of FUJAKO duo, director of HHY & The Macumbas.

Since 2010 has composed a series of sistems for voice, electronic and resonant spaces: TEUFEL RADAR, choir and antena; KHŌROS ANIMA, choir, sub-bass, industrial space; SANCTA VISCERA TUA, gesture, light, percussion, termites and choir; SILVO UMBRA choir, light and spheric space; ILINX mixed choir and resonant space; PLETHORA mixed choir and radial electronics.  Co-creator of the stage pieces BOCA MURALHA, SHARK, REI TRILOGY and director for the pieces JUNGLE MACHINE, KHORUS ANIMA, O POÇO and OXIDATION MACHINE presented in venues like Serralves Museum, Accès(s) Festival, Rivoli TMP and Palais de Tokyo.

At the end of his residency Jonathan Uliel Saldanha presented the performance “Scotoma Cintilante” and an exhibition documenting the full process of creation of the work titled “Dismorfia

 

Ana Vaz
April - June 2019

Supported by InResidence, program promoted by the Porto Municipality

Ana Vaz is an artist and filmmaker whose films, installations and performances speculate upon the relationships between myth and history, self and other through a cosmology of references and perspectives. Assemblages of found and shot materials, her films combine ethnography    speculation in exploring the f(r)ictions imprinted upon cultivated and savage environments. A graduate from the Royal Melbourne Institute of Technology and Le Fresnoy, Ana was also a member of the SPEAP (School of Political Arts), a project directed by Bruno Latour. Recent screenings of her work include the NYFF, TIFF, Courtisane, Cinéma du Réel (Grand Prix) and specific focuses dedicated to her work at the Flaherty Seminar (USA) and Doc's Kingdom (Portugal). Her work has featured in major group shows such as the Moscow Biennial of Young Art and the Dhaka Art Summit. In 2015, she received the Kazuko Trust Award presented by the Film Society of Lincoln Center in recognition of artistic excellence and innovation in her moving-image work.

 

Nuno da Luz
October - December 2018

Supported by InResidence, program promoted by the Porto Municipality

For his residency, Nuno da Luz researched the surrounding of the School of Arts. He was interested in investigating the maritime specificities of the Foz do Douro (where the Douro river comes to meet the ocean). After practicing a critical and attentive observation, he collected that sounds and data of the waves movement from the Instituto Hidrográfico. He later was able to recreate this environment in an immersive sound and light installation.

More information on his exhibition on School of Arts Gallery here.

Nuno da Luz (Lisbon, 1984) lives and works in Berlin. Artist and publisher, his work circumscribes both aural and visual in the form of events, installations and printed matter; the latter mostly distributed through the publisher atlas Projectos (run together with artists André Romão and Gonçalo Sena) and the record label Palmario Recordings (run together with the artist Joana Escoval). He recently completed the Master Program of Experimentation in Art and Politics speap at Sciences Po, Paris, and founded coyote, a cross-cutting collective working on print, film, lectures and other experimental forms (together with artists Tristan Bera and Ana Vaz, journalist Elida Høeg and editor Clémence Seurat).

 

Salomé Lamas
October 2017 - June 2018

For her residency in the SoA, Salomé Lamas focused on her project about Transnistria, an unrecognized state that broke away from the former Moldavian Soviet Socialist Republic of the Soviet Union in 1990. She worked on the post-production of would come to be Extinction, the film she released later that year.

The residency resulted in an exhibition that included several elements that performed in an art gallery setting. Stills from the film, recontextualized as sets of small photographies, a video projection, and documentation of her travel in the disputed territories.

Salomé Lamas (Lisbon) studied cinema in Lisbon and Prague, visual arts in Amsterdam and is a Ph.D candidate in contemporary art studies in Coimbra.

Her work has been screened both in art venues and film festivals such as Berlinale, BAFICI, Museo Arte Reina Sofia, FIAC, MNAC – Museu do Chiado, DocLisboa, Cinema du Réel, Visions du Réel, MoMA – Museum of Modern Art, Museo Guggenheim Bilbao, Harvard Film Archive, Museum of Moving Images NY, Jewish Museum NY, Fid Marseille, Arsenal Institut fur film und videokunst, Viennale, Culturgest, CCB - Centro Cultural de Belém, Hong Kong FF, Museu Serralves, Tate Modern, CPH: DOX, Centre d’Art Contemporain de Genève, Bozar , Tabakalera, ICA London, TBA 21 Foundation, Mostra de São Paulo, CAC Vilnius, MALBA, FAEMA, SESC São Paulo, MAAT, La Biennale di Venezia Architettura, among others.

Lamas was granted several fellowships such as The Gardner Film Study Center Fellowship – Harvard University, The Rockefeller Foundation – Bellagio Center, Fundação Calouste Gulbenkian, Fondación Botín, Sundance, Bogliasco Foundation, The MacDowell Colony, Yaddo, Berliner Künstlerprogramm des DAAD.

She continues to collaborate with the School of Arts and collaborates also with Elias Querejeta Zine Eskola. She collaborates with the production company O Som e a Fúria and is represented by Miguel Nabinho Gallery.

More information about the exhibition “Auto-retrato”